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Taking Helen Frankenthaler’s 1950s New York debut as its starting point
representing the full figure of the musician and the articulated form of his alto saxophone
confronting the viewer with a dialogue between color and gesture
An essay by Briony Fer examining the materiality of Whiteread’s work
Jean-Michel Basquiat: Made on Market Street Paul Thek Taking Helen Frankenthaler’s 1950s NewThis poster featuring Flexible (1984) was produced in 2024, in conjunction with Jean Michel Basquiat: Made on Market Street at Gagosian, Beverly Hills, an exhibition curated by Fred Hoffman with Larry Gagosian. Flexible is one of the iconic paintings that Basquiat made in Venice, California, using slats removed from a fence around his studio courtyard. In this work, he expanded his portrayal of the Black male, presenting a larger than life figure
