Ashley Bickerton: Ornamental Hysteria Benjamin Moser and trompe l’oeil pins depicted

and trompe l’oeil pins depicted in the drawings suggest text chiseled in stone

Bonami—the artist’s friend and longtime collaborator—mischievously adopts Cattelan’s voice to relate his provocative views on art and society

The Guitar Man also saw Weyant build on the motif of the dollhouse within and alongside images that undercut their subjects’ attempted composure with conscious awkwardness

This publication explores Picasso’s portrayals of life with Gilot and their young family in the decade they spent together

Ashley Bickerton: Ornamental Hysteria Benjamin Moser and trompe l’oeil pins depictedThis book was published on the occasion of the exhibition Ashley Bickerton: Ornamental Hysteria at Newport Street Gallery, London. It documents the major surveywhich was drawn from Damien Hirsts Murderme collectionfeaturing work made by Bickerton over a period of some three decades, from his consumerist wall sculptures of the mid to late 1980s to the vivid and idiosyncratic mixed media paintings and sculptures of more recent years. In addition to