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where the blending of one colour into another
and the geometric and organic shapes
and the variations within that limitation defined the group
the Art Institute of Chicago
Cut-up Paper I.1 Paul Snell where the blending of onePedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.
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